{"id":3271,"date":"2025-08-15T10:22:23","date_gmt":"2025-08-15T10:22:23","guid":{"rendered":"https:\/\/villafarnesina.it\/percorso-di-visita\/the-centenary-triptych-leonardo-1919-raphael-1920-dante-1921\/"},"modified":"2025-11-06T15:16:58","modified_gmt":"2025-11-06T15:16:58","slug":"the-centenary-triptych-leonardo-1919-raphael-1920-dante-1921","status":"publish","type":"portfolio","link":"https:\/\/www.villafarnesina.it\/en\/percorso-di-visita\/the-centenary-triptych-leonardo-1919-raphael-1920-dante-1921\/","title":{"rendered":"The Centenary Triptych: Leonardo 1919, Raphael 1920, Dante 1921"},"content":{"rendered":"<div id='av-layout-grid-1'  class='av-layout-grid-container av-dh9l3u-d71e712c2fc707829cd38eb02731c5e1 entry-content-wrapper alternate_color av-flex-cells  avia-builder-el-0  avia-builder-el-no-sibling  av-cell-min-height av-cell-min-height-50  container_wrap fullsize'   data-av_minimum_height_pc='50'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-d2gr0a-abaf35e8f5efe3b903afbc2c054f232d\">\n.flex_cell.av-d2gr0a-abaf35e8f5efe3b903afbc2c054f232d{\nvertical-align:middle;\n}\n.responsive #top #wrap_all .flex_cell.av-d2gr0a-abaf35e8f5efe3b903afbc2c054f232d{\npadding:4% 4% 8% 8% !important;\n}\n<\/style>\n<div class='flex_cell av-d2gr0a-abaf35e8f5efe3b903afbc2c054f232d av-gridrow-cell av_three_fifth no_margin  avia-builder-el-1  el_before_av_cell_two_fifth  avia-builder-el-first  content-align-middle'  ><div class='flex_cell_inner'><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-3n70a-7dc8f9fddae39a01a5b1e4516197e38a\">\n#top .flex_column.av-3n70a-7dc8f9fddae39a01a5b1e4516197e38a{\nmargin-top:0px;\nmargin-bottom:30px;\n}\n.responsive #top #wrap_all .flex_column.av-3n70a-7dc8f9fddae39a01a5b1e4516197e38a{\nmargin-top:0px;\nmargin-bottom:30px;\n}\n<\/style>\n<div  class='flex_column av-3n70a-7dc8f9fddae39a01a5b1e4516197e38a av_one_full  avia-builder-el-2  el_before_av_one_full  avia-builder-el-first  first flex_column_div  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mectrjre-49c6c9394205982c5e5311a088eefb0c\">\n#top .av-special-heading.av-mectrjre-49c6c9394205982c5e5311a088eefb0c{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-mectrjre-49c6c9394205982c5e5311a088eefb0c .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-mectrjre-49c6c9394205982c5e5311a088eefb0c .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-mectrjre-49c6c9394205982c5e5311a088eefb0c av-special-heading-h1 blockquote modern-quote  avia-builder-el-3  avia-builder-el-no-sibling '><div class='av-subheading av-subheading_above'><p>Curated by: Roberto Antonelli, Virginia Lapenta, Guicciardo Sassoli de\u2019 Bianchi Strozzi<\/p>\n<\/div><h1 class='av-special-heading-tag '  itemprop=\"headline\"  >Il Trittico del Centenario | Leonardo 1919 | Raffaello 1920 | Dante 1921<\/h1><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-9smf8q-d67b3d3b3b04d9292a1beb6354c831e7\">\n#top .flex_column.av-9smf8q-d67b3d3b3b04d9292a1beb6354c831e7{\nmargin-top:0px;\nmargin-bottom:30px;\n}\n.responsive #top #wrap_all .flex_column.av-9smf8q-d67b3d3b3b04d9292a1beb6354c831e7{\nmargin-top:0px;\nmargin-bottom:30px;\n}\n<\/style>\n<div  class='flex_column av-9smf8q-d67b3d3b3b04d9292a1beb6354c831e7 av_one_full  avia-builder-el-4  el_after_av_one_full  el_before_av_one_full  first flex_column_div  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-6ztqiy-ab8277a12e82c87f4824815a83337301\">\n#top .av-special-heading.av-6ztqiy-ab8277a12e82c87f4824815a83337301{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-6ztqiy-ab8277a12e82c87f4824815a83337301 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-6ztqiy-ab8277a12e82c87f4824815a83337301 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-6ztqiy-ab8277a12e82c87f4824815a83337301 av-special-heading-h4  avia-builder-el-5  el_before_av_textblock  avia-builder-el-first '><h4 class='av-special-heading-tag '  itemprop=\"headline\"  >Description<\/h4><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-mectvh2m-0bf930aad3b5fbef6684030a3813325b '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>The exhibition The Centenary Triptych: Leonardo 1919, Raphael 1920, Dante 1921 (Rome, Villa Farnesina, June 16, 2021 \u2013 January 13, 2022) presents a survey of the taste and aesthetics that shaped the post\u2013World War I celebrations of the centenaries of Leonardo (1919), Raphael (1920), and Dante (1921). <\/p>\n<p>These were years in which the country, emerging from the Great War, needed to rebuild its national identity by invoking a glorious past\u2014not only of beauty, but also of intellect and moral integrity\u2014while at the same time looking toward the future with a spirit of innovation and change.<\/p>\n<p>The celebrations were therefore not merely an opportunity, as they are today, to deepen studies and research, but rather a source of inspiration for both avant-garde and traditional artists. They engaged every sphere of human creativity, reaching the entire population through postcards, objects, furniture, architecture, and magazine and newspaper covers, paving the way for new styles and trends that absorbed and reinterpreted the legacy of the great masters being commemorated.<\/p>\n<p>The exhibition, set up on the first floor of the Villa Farnesina, was divided into three sections. Alongside period magazines, objects, and books, it featured works by leading figures of twentieth-century art (from private collections) such as Carlo Carr\u00e0, Giorgio de Chirico, Gino Severini, Mario Sironi, Anselmo Bucci, Achille Funi, Adolfo Wildt, Alberto Martini, Gerardo Dottori, Plinio Nomellini, Cesare Monti, Ottone Rosai, and Lucio Fontana, as well as a series of postcards designed by Ezio Anichini for the Dante centenary of 1921.<br \/>A separate section, located in the Sala Massari, was dedicated to the revival of ancient Roman and Renaissance models in modern architecture of the 1920s, as well as in Mario Sironi\u2019s designs for the \u201cUrban Peripheries.\u201d Also on display were drawings for magazines designed by Fortunato Depero, Gino Severini, and Marcello Nizzoli\u2014true proto-designers who anticipated, through their graphic work, the advertising language and the distinctive \u201cItalian style\u201d or Made in Italy that would flourish in the 1950s and 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